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Iconographica is an academic program focused on the in-depth study of images in their historical, cultural and religious contexts. The project aims to break the framework of traditional iconography and explore the evolution and meaning of images in different contexts by integrating the perspectives of history, cultural studies and religious studies. While traditional iconographic research is often limited to the analysis of forms and symbols, the journal seeks to understand the function and impact of images from a broader interdisciplinary perspective.

In the journal's research, images are seen not only as works of art or decorative objects, but also as carriers of cultural and religious exchange. By placing images in a historical context, researchers can reveal how images reflect and shape social and religious ideas. The project emphasizes the relationship between images and social change, power structures, and religious rituals, promoting a multi-layered and multi-dimensional understanding of images.

《圣像畫(huà)》是一個(gè)專注于圖像在歷史、文化和宗教背景下的深入研究的學(xué)術(shù)項(xiàng)目。該項(xiàng)目致力于打破傳統(tǒng)圖像學(xué)的框架，通過(guò)綜合歷史學(xué)、文化研究和宗教研究的視角，探索圖像在不同背景下的演變及其意義。傳統(tǒng)的圖像學(xué)研究往往局限于形式和符號(hào)的分析，而雜志則力圖從更廣泛的跨學(xué)科視角來(lái)理解圖像的功能和影響。

在雜志的研究中，圖像不僅被視為藝術(shù)品或裝飾物，更被視為文化和宗教交流的載體。通過(guò)將圖像置于歷史背景中，研究者可以揭示圖像如何反映和塑造社會(huì)和宗教觀念。項(xiàng)目強(qiáng)調(diào)圖像與社會(huì)變遷、權(quán)力結(jié)構(gòu)以及宗教儀式之間的關(guān)系，推動(dòng)了對(duì)圖像的多層次、多維度的理解。

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