期刊簡介預(yù)計(jì)審稿時(shí)間： 21 Weeks

Although the background setting and storyline of Opus revolve around comic creation, it actually explores larger philosophical propositions. In the work, the characters of "God" or "Creator" are metaphorically referred to as the cartoonist himself, and the comic world becomes the object of his creation and manipulation. However, Jin Min reveals an important point in his work: even "God" or the creator cannot fully control the development of the story, because the characters and plot in his works often have their own "free will", which can have a counterproductive effect on the creator's intentions, making the development of the story full of variables.

This work is published by Beijing United Publishing House and produced by Hou Lang. It has exquisite binding and clear printing, providing readers with a good reading experience. Although there is no official ending, Opus remains a classic in the history of comics with its unique charm and profound meaning.

《作品》的背景設(shè)定和故事情節(jié)雖然圍繞漫畫創(chuàng)作展開，但實(shí)則探討了更為宏大的哲學(xué)命題。作品中，“上帝”或“造物主”的角色被隱喻為漫畫家本人，而漫畫世界則成為了其創(chuàng)作和操控的對象。然而，今敏在作品中卻揭示了一個(gè)重要的觀點(diǎn)：即便是“上帝”或創(chuàng)作者，也無法完全掌控故事的發(fā)展，因?yàn)楣P下的人物和情節(jié)往往具有自己的“自由意志”，這種“自由意志”會對創(chuàng)作者的意圖產(chǎn)生反作用，使得故事的發(fā)展充滿變數(shù)。

這部作品由北京聯(lián)合出版社出版，后浪出品，其裝幀精美，印刷清晰，為讀者提供了良好的閱讀體驗(yàn)。盡管沒有正式的結(jié)局，但《作品》仍然以其獨(dú)特的魅力和深刻的內(nèi)涵，成為了漫畫史上的經(jīng)典之作。

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