期刊簡介預(yù)計(jì)審稿時(shí)間：

Since 1996  Performance Research has set a precedent that has become standard for thematic and cross-disciplinary ways of bringing together the varied materials of artistic and theoretical research in the expanded field of performance. Working closely with designers, artists, academics, theorists, performance practitioners and writers  Performance Research resists disconnected, disembodied, and disinterested forms of scholarship. 

We prefer instead the possibilities of imagining the journal as a dynamic space of performance that produces inspiring conversations, unlikely connections, and curious confluences. Our emphasis on contemporary performance arts within changing cultures and technologies is reflected in the interdisciplinary vision and international scope of the journal.  Performance Research continues to combine writings and works for the page in an interplay of analysis, anecdote, polemic and criticism; interweaving the oblique with the conflicting, the pivotal with the resistant, and the eclectic with the indispensable.

《績效研究》自1996年以來，表演研究開創(chuàng)了一個先例，成為主題和跨學(xué)科方式的標(biāo)準(zhǔn)，將各種藝術(shù)和理論研究材料匯集在一起，擴(kuò)大了表演領(lǐng)域。與設(shè)計(jì)師、藝術(shù)家、學(xué)者、理論家、表演實(shí)踐者和作家密切合作，表演研究抵制不連貫、無實(shí)體和無私的學(xué)術(shù)形式。

相反，我們更喜歡把日記想象成一個動態(tài)的表演空間，產(chǎn)生鼓舞人心的對話，不太可能的聯(lián)系和好奇的匯合。我們對不斷變化的文化和技術(shù)中的當(dāng)代表演藝術(shù)的重視反映在期刊的跨學(xué)科視野和國際范圍中。表演研究繼續(xù)在分析、軼事、辯論和批評的相互作用中結(jié)合文字和作品;將傾斜與沖突、關(guān)鍵與抗拒、折衷與不可或缺交織在一起。

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