期刊簡(jiǎn)介預(yù)計(jì)審稿時(shí)間：

Containing lively and provocative essays, Cambridge Opera Journal has a well-established reputation for publishing first-rate scholarship on opera in all its manifestations. The Journal not only contains material on all aspects of the European canon, it has now widened its scope to publish high-quality essays on American opera and musical theatre, on non-Western music theatres, on contemporary works. Carefully researched and often illustrated with music examples and pictures, articles adopt a wide spectrum of critical approaches. As well as major articles, each issue generally includes reviews of recent publications of importance in the field.Cambridge Opera Journal is a fully open access journal.

《劍橋歌劇雜志》以發(fā)表關(guān)于歌劇各種表現(xiàn)形式的一流學(xué)術(shù)論文而享有盛譽(yù)，其中包含生動(dòng)而挑釁性的文章?！度A爾街日?qǐng)?bào)》不僅涵蓋了歐洲經(jīng)典的各個(gè)方面，現(xiàn)在還擴(kuò)大了其范圍，發(fā)表了關(guān)于美國(guó)歌劇和音樂(lè)劇、非西方音樂(lè)劇和當(dāng)代作品的高質(zhì)量論文。文章經(jīng)過(guò)仔細(xì)研究，經(jīng)常用音樂(lè)例子和圖片進(jìn)行說(shuō)明，采用了廣泛的批評(píng)方法。除了主要文章外，每期通常還包括對(duì)該領(lǐng)域最新重要出版物的評(píng)論，劍橋歌劇雜志是一本完全開(kāi)放獲取的期刊。

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