期刊簡介預(yù)計審稿時間： 19 Weeks

Tempo exists to document the international new music scene while contributing to, and stimulating, current debates therein. Its emphasis is on musical developments in our own century, as well as on music that came to prominence in the later twentieth century that has not yet received the attention it deserves. The articles and reviews cover the new music scene in all its complexity, featuring discussions of compositional trends, performance practices, listening practices, new music contexts and reception histories. TEMPO is sympathetic both to writing about new forms of creative practice (electronic, interdisciplinary, performance-based) and to writing that employs innovative methods of enquiry that differ from the aims of traditional musicology.

TEMPO的存在是為了記錄國際新音樂場景，同時為當前的爭論做出貢獻并激發(fā)爭論。它的重點是我們這個世紀的音樂發(fā)展，以及二十世紀后期嶄露頭角但尚未得到應(yīng)有關(guān)注的音樂。這些文章和評論涵蓋了新音樂場景的所有復(fù)雜性，包括對作曲趨勢、表演實踐、聽力實踐、新音樂背景和接受歷史的討論。TEMPO既贊同關(guān)于新形式的創(chuàng)造性實踐（電子、跨學(xué)科、基于表現(xiàn)）的寫作，也贊同采用不同于傳統(tǒng)音樂學(xué)目標的創(chuàng)新探究方法的寫作。

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