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Musical Quarterly is a long-established and highly respected academic journal of music that provides an important platform for the music community to present and discuss music theory, history, analysis, and criticism. The academic vision of the journal is broad, covering all aspects from classical music to modern music, from music theory to performance practice. It not only focuses on traditional musicological research, but also encourages innovative and interdisciplinary approaches that have allowed many challenging new works to arise in the field of musicology.

This open and inclusive academic attitude makes the journal an important resource for music scholars and researchers to explore new theories, methods and perspectives. In this way, the journal not only promotes the depth and breadth of music academic research, but also makes an important contribution to the development and progress of musicology.

《Musical Quarterly》是一本歷史悠久且備受尊敬的音樂(lè)學(xué)術(shù)期刊，它為音樂(lè)學(xué)界提供了一個(gè)展示和討論音樂(lè)理論、歷史、分析和批評(píng)的重要平臺(tái)。雜志的學(xué)術(shù)視野廣闊，涵蓋了從古典音樂(lè)到現(xiàn)代音樂(lè)，從音樂(lè)理論到表演實(shí)踐的各個(gè)方面。它不僅關(guān)注傳統(tǒng)的音樂(lè)學(xué)研究，還鼓勵(lì)創(chuàng)新和跨學(xué)科的方法，使得許多具有挑戰(zhàn)性的新工作得以在音樂(lè)學(xué)領(lǐng)域中產(chǎn)生。

這種開(kāi)放和包容的學(xué)術(shù)態(tài)度，使得雜志成為音樂(lè)學(xué)者和研究人員探索新理論、新方法和新視角的重要資源。通過(guò)這種方式，雜志不僅促進(jìn)了音樂(lè)學(xué)術(shù)研究的深度和廣度，也為音樂(lè)學(xué)的發(fā)展和進(jìn)步做出了重要貢獻(xiàn)。

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